2015-09-08[n年前へ]
■I spent this whole summer with "the girl". 
I spent this whole summer with "the girl". I don't remember how many times I mentioned her name (as "the girl") and gazed her face. To say the truth, I don't know her real real name and who she actually is. Or, I don't know if she really existed or not. However, I believe that not only me but tremendous peoples loves her face (and smile).
Who is "the girl"? She is "the girl" with a...
”I got the girl. She's a work of art. I tell myself that I'm one lucky guy! I got the girl."
How many people can say they felt the brushstrokes of a Rembrant painting? Well everyone who went to this exhibition at the Canon expo…
A 2.5D printed image of the girl with the pearl earring..With the brushstrokes and feeling of them!
ART.BY.EDWIGE
However, as fun as it might be to grope photos of incredibly muscular people, textural printing has the potential to change how we interact with fine art as well. The tactility of a piece can be replicated, whether it's made of metal, cloth or other materials. This means that small physical details from paintings like the weave of the canvas, or the drips, ridges and cracks of the paint itself -- things that normally can't be perceived in reprints -- can be recreated as well. This makes it possible to create a true-to-life reproduction of a painting like Johannes Vermeer's Girl with a Pearl Earring and exhibit it anywhere in the world without fear of damage to the original object. And though Canon will never be able to replicate the thrill of seeing the real thing for art aficionados, being able to touch the paintings will probably make school trips to the art museum a little less boring for kids.
Textural printing lets you get handsy with famous paintings
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